The International

I went to see this film on Sunday at the Holloway Odeon; and I have to say it was more than disappointing. The key characters fulfill their stereotypical roles with Clive Owen appearing as if by rote angry, unkempt, brutalised, horrified and angry again, as with Naomi Watts who is sorely under utilised as the female lead, conforming religiously to genre type. This was not the actors' but the writers fault, the producers of Bourne and Bond at times, overcome incredulity, through audacity and stunning action, however the International fails to deliver on all of these fronts.

Despite the topicality of the subject matter, essentially the storyline failed to engage me enough to suspend disbelief in the lead characters. A summary of the plot is as follows;

Interpol agent Louis Salinger (Clive Owen) and Manhattan Assistant District Attorney Eleanor Whitman (Naomi Watts) are determined to bring to justice one of the world's most powerful banks, the International Bank of Business and Credit (IBBC). Uncovering illegal activities including money laundering, arms trading, and the destabilization of governments, Salinger and Whitman's investigation takes them from Berlin to Milan, where the IBBC assassinates an Italian prime ministerial candidate. (from wikipedia)

What attracted my to see this film was the stunning look of the trailers and the production values implicit in such ravishing appearances. The scenery and the backdrops are mainly breathtaking, particularly the scene featuring the Italian arms factory and shots of the precipitous cliff edge route away from the site. Additionally the building and location shoots are visually poetic, their imposing immenseness conjuring up resonances of feudal castles and palaces of a more mythological era.

Armin Muelher-Stahl is very credible and skilfully underplays his role as an ex Stasi Head of Security for IBBC and his character allows some (shock!) moral complexity to enter into the film. Furthermore Ulrich Thomsen a Jonas Skarssen , the president of IBBC plays the head of the evil empire as a normal businessman, coldly calculating the best way to further the banks financial goals without any hint of sadism or megalomania, whether these portrayals are down to superior acting or better drawn characters it is hard to tell.

These positive points aside it leaves me wishing for more nuanced ambivalent portraits of the ‘good guys’. Who in the International are so preposterously always doing the right thing, that the evil banks employees, partially steal the show and demonstrate to some degree the motivations that caused the current economic crisis.